Ian ‘DIM’ Wallace, 1933-2021

There have been a lot of tributes online to the great Donald Ian Mackenzie Wallace (known to all as Ian or ‘DIM’ Wallace, after the signature he used on his artwork), who passed away in his sleep on November 4, aged 88, after more than half a century as one of the leading figures in British birdwatching.

Renowned as an artist, a writer (in Bird Watching Magazine, British Birds and countless books, including Birds of the Western Palearctic), he had a huge influence on just about anybody who has taken up a pair of binoculars in the last 50 years. 

First and foremost, though, he was a birdwatcher who knew the subject inside-out as a result of close observation in the field, and who was always happy to share his knowledge with great enthusiasm and passion.

I didn't know him well, but enjoyed bumping into him every year at Birdfair, when he would appear through the crowds in his kilt and tartan bonnet, then offer suggestions and ideas for Bird Watching Magazine. I'd come away from every encounter enthused and invigorated (and with a notebook full of useful information) – one of Ian's defining characteristics was his positivity (although always tempered by realism).

Probably the biggest influence he had on me, though, is through the book pictured above and below. When I was a kid, I had an earlier version of it, and although the artwork isn't his, he's listed as one of the authors. That figures – the text is packed with concise but memorable ID hints, and information on behaviour, but it's also full of quirky little snippets of folklore and history, and communicates a love of birds in very much the same way that Ian did. It remains my favourite field guide.

So, farewell and rest in peace, Ian. We're all the richer for your work, and for having known you.

 

Luke Kennard wins The Forward Prize

Good to see Luke Kennard winning this year's Forward Poetry Prize for his excellent Notes on the Sonnets, first and foremost because it's a great collection and just the latest in a line of superb books that he's written, but also because he's a thoroughly nice chap. Good for Penned in the Margins, too, for publishing it – it's heartening to see a small press winning. 

Lots to enjoy (and to catch up with) in the rest of the shortlists, too, and well done to Caleb Femi for winning Best First Collection. 

Clarity and obscurity

This is a very interesting blogpost, from Jeremy Wikely, about clarity and obscurity in poetry. I wouldn't say I have any answers to the questions raised, although I don't generally enjoy poetry that 'explains' itself too much. I do have several exceptions, having said that, so it's probably something to do with how skilfully it's done. 

Europe's bird extinction crisis

This, I'm afraid, is utterly depressing and terrifying in equal measure. I'm used, like any other birdwatcher, to reading about worrying declines in all sorts of species. Turtle Dove is one which has been much talked about (although to very little effect), and then there are the likes of Willow Tit, and Curlew. The former has disappeared from large parts of the UK, as has Willow Tit (with some small glimmers of hope in old industrial areas), while the speed of the latter's decline is alarming.

But the species being talked about here are absolutely everyday birds. Rook, for heaven's sake. Swift. If they too are starting to shrink back into ever-smaller breeding areas, where they raise ever-smaller numbers of young, then it's hard to avoid the conclusion that we have broken the natural world beyond repair.

It's all happening at Nine Arches Press

I'm not going to apologise for giving Nine Arches Press another plug. It's all going on over there at the moment. As well as Daniel Sluman's nomination for the TS Eliot Prize, Primers Volume 6 has been announced, featuring 10 new poets. And of course, there are years and years of great collections, anthologies and other books there to browse through. 

Brendan Kennelly, 1936-2021

Very sad to hear of the death of Irish poet Brendan Kennelly today. When I first started reading a lot of poetry, having drifted away from it a bit after university, I remember seeing and enjoying a lot of his work in anthologies. Maybe because of that, I was surprised in later years that he perhaps didn't always get the attention he deserved (in the UK, at least, I suspect things were different in Ireland). Time to find those anthologies, I think, and the collections of his that I have. 

Daniel Sluman on TS Eliot shortlist

Great news this week that Nine Arches Press poet Daniel Sluman is on the TS Eliot Prize shortlist for single window, a hybrid memoir of poetry and images. I've loved Dan's previous collections, Absence has a weight of its own, and the terrible, so I'm looking forward to having a good look at this one. He's a terrific poet, and the nomination is very well deserved

Dominic Couzens wins top award

It's always nice to be able to post about good news, and Dominic Couzens winning the British Trust for Ornithology's Dilys Breese Medal earlier this week is certainly that. 

It's awarded by the BTO every year, to someone who has championed and spread the word about their work, and who has encouraged people to take part in citizen science themselves.

Dom has certainly done that. He's an author, broadcaster and all-round naturalist, and also an all-round good guy and a pleasure to travel and go birdwatching with. I've been lucky enough to go on foreign trips with Dom over the years, and the thing that strikes you is just how much he notices. I know, I know, you'd think that all birders and naturalists would do that, and they do, but Dom takes it to a different level.

That comes out in his writing. Throughout the 15 years I've been at Bird Watching, he's written a feature in each issue, taking a close look at a particular species, always with the main focus on behaviour. Every issue, when the feature arrives by email and I read it through before it goes to the designer, I find myself amazed at how many new facts he has uncovered, even about very familiar garden species that you thought you knew really well. And yet, although the features are packed with research, they're written in such an engaging and accessible style that you can imagine anybody, even the most casual birdwatcher, being absolutely enthralled. 

Congratulations Dom!

Iamb Poetry

Yesterday was National Poetry Day, a fact which I have to admit had escaped my notice until it was too late to do anything about it. Busy week at work, and all that.

Mark Antony Owen, who has created the fantastic Iamb poetry website, very kindly tweeted a link to my appearance on the site last year – you can hear me read three poems (including Grail Birds, inspired by the Ivory-billed Woodpecker referenced earlier this week).

But take the time to have a browse through the whole site. It's a superb resource, an inspiration, and a reminder that however good it is on the page, poetry needs to be heard, too (or at the very least, it takes on a whole new dimension when it is heard). 

There are new poets being added there on a regular basis, too, so it's a site to bookmark and keep returning to.

Tony Greig

After reading that John Snow article the other day, I came across this fine piece from the same writer, James Mettyear, about his hero-worship of Tony Greig. Greig was a hero to a whole generation until his move to help set up World Series Cricket, but the years since have put that in a different perspective.

New at Nine Arches Press

Angela France's collection Terminarchy is one of Nine Arches' most recent publications, and it's a fine book that explores subjects such as climate change, among others. I've enjoyed Angela's past work, but this takes it on to another level, and I recommend it very highly.

There's plenty more to enjoy at the Nine Arches website, too – have a browse of the collections and anthologies on sale there, and don't forget Under The Radar magazine.

The Lord God bird

So, the Ivory-billed Woodpecker is officially no more, although I suspect that won't be the last word on it. Those like Tim Gallagher, who claim relatively recent sightings and who have led exhaustive searches for the bird, are unlikely to be convinced, and I'm far from sure that I am.

I was lucky enough to go on a birding trip with Tim a few years back, and in the evenings he talked to us about his sightings and his searches. Some of what he told us can be found in interviews such as this.

When I got back, I went straight out and bought his book The Grail Bird, and having found it enjoyable and fascinating in equal measure, bought Imperial Dreams, his book about the search for the Imperial Woodpecker (the world's largest) too. If anything, it's even better.

Whether the Ivory-bill is still out there somewhere, only time will tell, and probably a lot of time at that. But even if it does hang on in some swampy forest of the American South, it's future can't be bright.

The cricketing poet

To be fair, the title of this post is a bit of a cheat. John Snow, the former England fast bowler who's the subject of this article, was of course more of a cricketer who did a bit of poeting, but there you go – poetic licence and all that.

I was too young to see Snow at anything like his best - my memories are of seeing him in a test against the West Indies in 1976, and a few Sunday League games. But reading about his career, it strikes me that he is not given the credit he deserves. Beyond the bare statistics, he saved most of his best performances for the Aussies and the West Indies, and in 1970-71 he won the Ashes back for England with a performance that shaped a whole generation of Aussie cricketers, bizarrely – Ian Chappell consciously set out to create a team that played the way Ray Illingworth's did, with one or more John Snows dishing out the short stuff.

Anyway, it's a really excellent article. Take a look, and enjoy.

Back to the Anchor Church

At the end of the ITN News last night, there was an item about the Anchor Church at Ingleby, Derbyshire. The gist of it was pretty similar to this article, but they went rather more heavily on the 'discovery' that the caves were an Anglo-Saxon dwelling rather than belonging to the late medieval period.

I know the site pretty well. In my Nine Arches Press collection hydrodaktulopsychicharmonica, there's a poem called Dreams From The Anchor Church, at least partly inspired by it. I've been walking there quite a lot over the years. Memorably, about 10 years ago, I saw a Red-footed Falcon nearby, the only time I've ever seen the species in the UK.

I was a bit surprised by the TV piece, because I thought it had long been established that it was an Anglo-Saxon site. I remember talking about it as such when I was at university, in the late 80s/early 90s. I mentioned it to my lecturer (I suspect I had heard the local tradition that it was the home of an Anglo-Saxon saint), and she then pointed me in the direction of a book or possibly an article in a history journal that confirmed it. 

It's strange, then, how knowledge gets lost, and found, and lost again, and refound, because this appears to be a case where the local folk tradition preserved an accurate recollection of the past. And given the amount of early medieval remains in the area (a couple of cemeteries of the Viking 'Great Army', and an Anglo-Saxon crypt in nearby Repton church that holds a couple of Mercian kings), it's surprising that this one was ever ignored.

The link with the church at Breedon-on-the-Hill is interesting, too. It appears possible that some of the wall friezes there were taken from the sarcophagus of St Hardulph, to some the church is dedicated, and who is likely to have been one and the same as Eardwulf, King of Northumbria.

Michael Horowitz, 1935-2021

Very sad news this week of the death of Michael Horowitz, described here as a beat poet and a performance poet, but a whole lot more than that, given his untiring work to popularise any and all poetry.

I met him about 12 years ago, at the Forward Prize night, I think, and chatted for a while – he was charming and inspiringly enthusiastic (and wore an absolutely extraordinary 'peacock' jacket). It is, as the piece suggests, quite hard to get hold of his work in print, but he was very much a performer. He'll be very sadly missed.

Poetry world, or poetry worlds

There's a couple of interesting posts over at Matthew Stewart's Rogue Strands blog, in which he looks at the difference between the poetry worlds of London and the rest of the UK, and at regular poetry events all over the country. I've done relatively few London readings, so I'm not sure whether my experiences, which have been good, are entirely representative, but he makes some very good points about poetry events elsewhere. 

Happy Birthday, Bob

All this week I've been hearing stuff on Radio 4 building up to the 80th birthday of Bob Dylan on May 24th.* Now, and I'm sure I've said this on here before, I love a lot of Dylan songs, but I'm not always that keen on his own versions of them.

So, I started trying to come up with my Top 10 Dylan covers. And here they are, in no particular order, although I suspect I'll remember loads of stuff that should have made it in there over the next few days. 

1 Mama You Been On My Mind - Rod Stewart

2 When I Paint My Masterpiece - The Band

3 Absolutely Sweet Marie - Jason and the Scorchers

4 You Ain't Goin Nowhere - The Byrds

5 I'll Keep It With Mine - Bettie Serveert

6 All Along The Watchtower - Jimi Hendrix

7 Fourth Time Around - Yo La Tengo

8 Wanted Man - Johnny Cash

9 A Hard Rain's A Gonna Fall - Bryan Ferry

10 Si Tu Dois Partir - Fairport Convention

I'll have to see if I come up with my 10 favourite originals, too. 

* His name also came up yesterday because His Royal Bobness is the honorary patron of a prostate cancer charity set up in memory of England cricket great Bob Willis. Rather strange, on the face of it, but as any England fan from 1970 to 1990 can tell you, Willis was such a Dylan fan that his full name was Robert George Dylan Willis. 

Lectio Violant, by Steve Ely - Zoom launch

The Zoom launch of poet Steve Ely's new Shearsman collection, Lectio Violant, will take place on Tuesday, May 25th, at 7pm.

You can register to attend here. 

Official release date is May 7th, but you can buy the book now, or just find out more about it, here. 

And if you don't already know Steve's work, I can recommend it very highly. Oswald's Book Of Hours is possibly my favourite of his books, but they're all worth a lot of your attention.

What's new at Nine Arches?

This is my regular recommendation that you have a browse at the Nine Arches Press website – it's full of great individual poetry collections (the most recent being Jacqueline Saphra's 100 Lockdown Sonnets), anthologies, books on the process of writing poetry, and Under The Radar magazine.

If you go all the way down to near the bottom of this page, you'll see that my last collection, The Elephant Tests, is still available. I am finally getting close to completing a very belated follow-up to that book, although there's still work to be done. So what am I doing here?

Saboteur Awards 2021

The second round of voting in the Saboteur Awards 2021 is now open – you have until May 5th to make your voice heard about some of the best of the year's literature. You don't have to vote in every category, but you're asked to vote in at least three.

I do have a slight interest in the Best Collaborative Work category, as I contributed to Arrival At Elsewhere, curated by Carl Griffin. It's a book-length poem that responds to the events of the last year, and I recommend it very highly, although I would say that, wouldn't I?

An – excuse me – DAMN fine poetry course!

            

Twin Peaks might very well have been the best TV programme of all time. It was certainly one of the most influential. I'm talking here primarily about the first two series. In fact, primarily the first, although anything to do with David Lynch deserves watching and rewatching. I think I might be inspired to dig out a few of my favourite clips and post them on here in celebration.

So, this looks fantastic – a Zoom-based poetry course on writing poems inspired by Twin Peaks, with tutor Chrissy Williams. Full details, including how to book, are on that link. 

Spelt Magazine

The first ever issue of Spelt is out now, and you can read more about it and buy a copy here. It promises "poetry and creative non-fiction that has something to say about the rural experience", which leaves plenty of scope.

The full submission guidelines are here.

Harry Guest, 1932-2021

Sad news at the end of last week the death of Welsh-born poet Harry Guest, a major figure in the British Poetry Revival of the late 60s and 70s. I have his 2002 Collected Poems, A Puzzling Harvest, and it's excellent, showing a poet who, despite his connection to the avant-garde, remained opened to a very wide range of influences throughout his career. 

While I was searching for material on him, I came across this excellent post on Rob A Mackenzie's Surroundings blog, from way back in 2006, in which he makes the same point (and others), far more eloquently than I could. The whole series of posts that it's part of are very rewarding to read, too.

Magma 79

I received my copy of Magma 79 yesterday, and as always there's a really good mixture of poetry (including poems from the latest Magma Open Pamphlet Competition), articles and reviews. I haven't had chance to read much of it yet, and have to admit I went straight to two poets I always enjoy – Tony Williams and David Morley – but I look forward to having a longer read tonight.

It also includes my own reviews of collections by Robert Selby, Katrina Naomi and Robert Alan Jamieson. I won't tell you here what I thought about them, other than that they all had something to recommend them - you'll need to read Magma to find out more. 

The Las

I stumbled across this article on the BBC website last week sometime, and it set me thinking. I can remember, back in 1988, all the fuss in the music press about The Las, when the original single version of There She Goes came out. It was hugely tuneful and jangly (but then, so were a lot of things back then), and seemed to promise a great deal. 

I can remember the eager wait for their debut album, the constant delays, and then finally hearing it on a friend's record player. And I can remember being disappointed.

I know. I know you're supposed to buy into the whole lost genius story, but I can't.

I remember at the time thinking that it all sounded just too desperate to nod in the direction of classic British 1960s guitar pop. The review on AllMusic says that it avoids that, and compares it favourably with work by Oasis and Blur in that respect, but I can't agree. I wasn't a big fan of either of those bands, but I'd say that both at least steered clear of straightforward pastiche. The Las, to me, didn't, or at least not always.

I saw them live, on my 21st birthday, in fact, and got the same impression from the gig. It was good. They were good. But they didn't blow me away. It all felt a bit contrived.

And that's it, really. There are plenty of you who will disagree with me, and I'd be delighted to be persuaded of the report of my ways. But for now, at least, the legend feels a lot more interesting than the music. 

Changing The Face Of Poetry

Lockdown has been something of a mixed blessing for writing poetry. On the one hand, there's been a lot more time to do so. On the other, there's been less inspiration, for me at least, because the days have been so same.

So here's something a bit different. And there's the same here. Singer and songwriter Tally Koren is looking at ways of turning poetry into songs, as has been done here.

Take a look, and think about submitting something.

Fighting fire with fire

Up front, a warning. This post is about cricket, and pretty much nothing else. And it's long. 

There's obviously a long way to go, given that we have no idea whether this summer will pan out anything like normal, but the cricket press and forums are starting to turn their attention to England's Ashes tour next winter, and to who might make up the team. In particular, large parts of the cricket press and public seem to have decided that the only way England are going to win is with out and out fast bowlers.

That always sets the alarm bells ringing for me. In my lifetime, England have won four Ashes series in Australia. They suggest that there are far more important things for England to concentrate on than "fighting fire with fire" by picking quicks. 

In 2010-11, Andrew Strauss's team won 3-1, with a four-man bowling attack. None of them were what I'd call fast – Chris Tremlett came closest, but his height and extra bounce were more important weapons. Jimmy Anderson and Tim Bresnan were good old-fashioned English seamers, and Graeme Swann played a big part with his off-spin. What was even more important was a batting line-up that, other than the first innings at Brisbane and most of the Perth match, coped superbly with the Aussies' pace and bounce.

In 1986-87, Graham Dilley was the closest England had to a genuine quick, but he was still more like fast-medium, as were Botham, Small and DeFreitas. Spin twins John Emburey and Phil Edmonds helped give Mike Gatting control in the field, but again the vital thing was a batting line-up that, Allan Lamb apart, dealt well with the Australian attack.

In 1978-79, the Aussies were weakened by the loss of their Packer players, and England beat them 5-1 (we'd lost a few too, but they were pretty much all players on the downhill slope). Now, Bob Willis played a significant role, and Big Bob was genuinely sharp. A young Ian Botham was quicker than he sometimes appeared, too, and he was among the wickets. But Mike Hendrick, a classic English seamer if ever there was one, was just as important, and off-spinners Geoff Miller and John Emburey were both highly successful.

Only in 1970-71, which I don't remember, did an English fast bowler genuinely dominate the series. John Snow was the quickest, the nastiest and the best on both sides, and the Aussies had no answer.

Looking back beyond that, it's fair to say that the two previous England wins in Australia could be put down to out and out fast bowling – 1954-55 ('Typhoon' Tyson blowing the Aussies away in two tests) and 1932-33 (Larwood, Voce and Bodyline).

What has always been important in Ashes wins in Australia has been the batting. Batting as long as possible, and wearing down the Aussie pace attack, which is rarely anything but impressive (OK, 1986-87 was an exception there). Boycott, Edrich, Luckhurst etc., in 70-71. Randall, Gower and an all-round performance in 78-79. Chris Broad, with help from Gower and Gatting in 86-87. And Strauss, Cook, Trott, Pietersen and Bell in 10-11. When we've lost over there, it's generally been because we haven;t coped with their quick bowling. In the 90s, there was Shane Warne to cope with too. 

I have a horrible feeling the squad will be packed with Archer, Wood, Stone and maybe others only because they are fast. I'd rather it be packed with the best bowlers, regardless, and even more importantly the best batsmen, the ones who will fight it out and bat for days if necessary. 

Might have beens

This is a really good article about Aussie off-spinner Jason Krejza, and his brief but memorable test career. He comes across as a thoughtful chap, wistful rather than embittered, and it's hard not to think he was unlucky in the way he was treated by the selectors. I remember watching that debut against India, and thinking that he was a name who'd be on the scene for years. 

Forgotten Good Poems

This is a really interesting Twitter feed. It's a reminder of how ephemeral much poetry is – it's so easy for it to slip past us in magazines or online, or in slim volumes which sit in the bookcase for years after their first reading.

Every now and then, I come across a poem that I decide I don't want to forget about in a hurry, so I copy it out by hand into a little personal anthology. Anybody else do that?

ADHD and mental health

This is a really excellent post about ADHD, and mental health generally, from Kirsten Irving. If nothing else, it ought to encourage all of us to think hard about it, and about how we treat ourselves, which of course inevitably affects how we are with other people.

Poetry readings

Interesting blog post here from Sue Ibrahim. Of course, it's getting difficult to remember exactly what a poetry reading is like, and I've only seen a couple on Zoom during the past year. But it is one of the things that I'm now missing, and looking forward to returning to when things get back to, well, not normal, but what will pass for the new normal.

It set me thinking about different reading styles, and exactly what I want to hear at a reading, and I'll post about that in the near future. But, in the meantime, I'd be interested to hear any best/worst experiences.

Backlisted, again

I know I've mentioned it on here before, but I'm just going to give another plug to the Backlisted podcast. Over what now runs to more than 120 episodes, they've discussed a huge variety of books (mainly novels, although they've also touched on poetry and biography). Generally they try to shine a light on lesser-known if not downright obscure books, but they've also covered more mainstream works, too. Although, one of the pleasures of the podcast is that you usually end up realising the the book being discussed is not exactly what you thought it was, anyway. 

A day to remember/forget

I stumbled across this article the other day, and although I knew all about Brian Langford's record-breaking spell of bowling, I'd never come across the bit about Doug Insole before. Called out of retirement (after six years) to play in an injury crisis, a baby throws up all over his cricket bag on the train, and then he's run out for 0. 

That's the sort of story that makes cricket my favourite sport.

What made me want to read

It's World Book Day today, and there's an awful lot on Twitter relating to it. My favourite so far has been from Kirsten Irving (@KofTheTriffids), who has posted about some of the books that sparked her love of reading as a child. I'm about to shamelessly steal the idea here.

I can't honestly remember much of what I read when I first learned, except for Angela Banner's Ant and Bee books, but as I got older I became a voracious reader. Non-fiction, for a start. I used to virtually memorise Playfair Cricket and Football Annuals each year, and of course there were bird books. My grandmother bought me an RSPB guide, which had great artwork and short, pithy species accounts, some of which I remember to this day. A while ago, I dug it out, and found that it was written by David Saunders, who is a monthly contributor to Bird Watching, the magazine I now edit. 

When it came to fiction, I read The Hobbit on the recommendation of a friend, and loved it, and went on to The Lord of the Rings, and loved that too. But one book that really stands out in the memory was a slimmish volume that I got out of Coalville Library.

It was called The Goalkeeper's Revenge, a collection of short stories for kids by Bill Naughton (probably better known for his play Alfie, which was turned into the Michael Caine film). Set mainly in 1930s Lancashire (although at least one story was set in Ireland), it was both extremely readable, and yet full of period and local detail that could have been daunting but that just made you want to know more.

One of the things that still sticks in the memory from it was the food. There's one story where some boys go to a fair, and ponder what to spend their few pennies on. Half of them come down on the side of food (a reminder that in a 30s mill town, having enough to eat wasn't a given), and buy roast potatoes, and hot black peas.

In another story, about a deaf friend of the narrator, there are meat pies that still spring to mind even now, every time I see, let alone eat, a pie.

I have no idea if it's still in print, but I'd imagine there are plenty of secondhand copies around, as it was a favourite in libraries and school libraries. It stands up well even reading it as an adult, and I suspect kids now would love it just as much as I did then, because what rings most true about it is the way that kids talk and behave.

The Lucksmiths

Wikipedia, and the Internet generally, are dangerous things. Yesterday, I heard the end of Tess of the D'Urbervilles on Radio 4, and looked it up online, never having read it. 

Wikipedia told me that its ending was inspired by Thomas Hardy having witnessed the execution of a woman called Elizabeth Martha Brown, for the murder of her abusive husband, in 1856, and that an Australian band, called The Lucksmiths, had recorded a song about it on their 1995 album The Green Bicycle Case.

Now, that immediately rang a bell, because years ago I read a book about the Green Bicycle Murder, which took place just outside Leicester in 1919. But the album also contains a song called The Tichborne Claimant, which sent me off reading about that particularly long and convoluted affair. Among the interesting things I picked up was that it involved the same Tichborne family as that of the poet Chidiock Tichborne, executed for his part in The Babington Plot against Elizabeth I, although not before he had written the famous elegy you can see on that page.

All of which is a very long way of getting to the point. If you've followed this blog over the years, you'll know that I have a very big soft spot for Australian bands. Two in particular, The Triffids and The Go-Betweens, but there are others. And I think The Lucksmiths will be joining them as favourites. The album mentioned above is excellent, both musically and lyrically, and is more than a little reminiscent of The Go-Betweens, and I'm looking forward to listening to the rest of their work. The follow-up album, I notice, is called What Bird Is That, which has to be a good omen.

Dydd Gŵyl Dewi Hapus

A bit late, I know, but the sun's starting to break through, and there are daffodils out, so Happy St David's Day!

What I Do To Get Through

I'm proud and delighted to say that I was one of the many contributors to the above book, What I Do To Get Through, edited by Olivia Sagan and James Withey. It's a book about different approaches to coping with, and getting through depression, and as you might have guessed, my contribution was about birdwatching, and how it can benefit your mental health.

You can buy it here, but of course you can also order it at your local independent bookshop too.

Writing advice

Someone on Twitter posted this link the other day – it's a little compendium of thoughts on writing and writers (and indeed, creativity and life more generally). It comes from a huge variety of sources, so of course it's contradictory, and of course there will be parts of it that you dismiss as absolute nonsense, but there's probably something there to suit most writers, and most moods. Browsing through does make you think a bit harder about your own writing.

Purple Crow – rewild your inbox

One of my poems, Starlings, from my last collection The Elephant Tests, is featured today on Purple Crow, which you can read more about here and here.

Purple Crow promises to deliver all sorts of wildlife-related content to your inbox, from fact-based features to more conversational pieces, and from top-class photography to poetry that focuses on natural history.

There are paid and free subscriptions available, so check it out.

Iamb – poetry seen and heard

OK, I know I've said this before, but I've decided it's time to start using this blog again, and for the reason I initially set it up - to talk about poetry, mainly, although there will be diversions into other literature, history, natural history, birdwatching, and cricket.

So I'm going to start by pushing you in the direction of the splendid Iamb, a website that not only allows you to read the work of a huge variety of poets, but also to hear them read their work.

They've been released in four 'waves' so far, with further to follow, and you can read and hear some of my own poems (both old and new) here.

It's a really beautifully put-together site, for which Mark Antony Owen deserves huge credit – you can also enjoy his own poetry here.

I saw it pointed out this week that poetry publishers have generally been slow to get work out there in audiobooks, the reason being, I suspect, that it's a time-consuming and potentially expensive process, but I suspect it's the future of poetry publishing, or a big part of it. When it's done well, as here, it adds a whole new dimension to the poetry.