You can buy it here, but of course you can also order it at your local independent bookshop too.
Thursday 25 February 2021
What I Do To Get Through
Tuesday 23 February 2021
Writing advice
Someone on Twitter posted this link the other day – it's a little compendium of thoughts on writing and writers (and indeed, creativity and life more generally). It comes from a huge variety of sources, so of course it's contradictory, and of course there will be parts of it that you dismiss as absolute nonsense, but there's probably something there to suit most writers, and most moods. Browsing through does make you think a bit harder about your own writing.
Saturday 20 February 2021
Purple Crow – rewild your inbox
One of my poems, Starlings, from my last collection The Elephant Tests, is featured today on Purple Crow, which you can read more about here and here.
Purple Crow promises to deliver all sorts of wildlife-related content to your inbox, from fact-based features to more conversational pieces, and from top-class photography to poetry that focuses on natural history.
There are paid and free subscriptions available, so check it out.
Thursday 18 February 2021
Iamb – poetry seen and heard
OK, I know I've said this before, but I've decided it's time to start using this blog again, and for the reason I initially set it up - to talk about poetry, mainly, although there will be diversions into other literature, history, natural history, birdwatching, and cricket.
So I'm going to start by pushing you in the direction of the splendid Iamb, a website that not only allows you to read the work of a huge variety of poets, but also to hear them read their work.
They've been released in four 'waves' so far, with further to follow, and you can read and hear some of my own poems (both old and new) here.
It's a really beautifully put-together site, for which Mark Antony Owen deserves huge credit – you can also enjoy his own poetry here.
I saw it pointed out this week that poetry publishers have generally been slow to get work out there in audiobooks, the reason being, I suspect, that it's a time-consuming and potentially expensive process, but I suspect it's the future of poetry publishing, or a big part of it. When it's done well, as here, it adds a whole new dimension to the poetry.