For a start, there's clearly a really strong hardcore of attendees, who were enthusiastic participants in the workshop and open mic parts of the evening, but as attentive an audience as I've ever seen during the main readings.
It was an all-Nine Arches Press affair, of course, with me and Luke Kennard reading, and Simon Turner among the open mic-ers. And the whole open mic was excellent, with plenty of variety, imagination, and energy on offer from all concerned.
Luke's reading, entirely from his new pamphlet Planet-shaped Horse, was absolutely superb, I thought. His poetry quite rightly gets huge praise for its wit, inventiveness and energy, but I think occasionally reviewers skip over the more serious side. Perhaps it's because all the different elements seem to co-exist happily (rather than him being a poet who writes in distinct modes at different times) that it's easy to miss some of them. But I'm rambling. It's late...
I enjoyed reading, always a sign that it's gone fairly well, I think. I'm very grateful to organiser Angela France for inviting us to read, and I came away with all sorts of ideas skittering around my head (also a good sign, until you try to sleep).
Oh, set-list - here it is:
Prelude For Glass Harmonica
Request Hour At The Numbers Station
The American version
The Meeting Place
Variations On A Theme By J A Baker
The sea at Ashby de la Zouch
West Leicester Lullaby
Warning Against Using These Poems As A Map
Worst Case Scenario
Nocturne For Glass Harmonica