Showing posts with label Gary Longden. Show all posts
Showing posts with label Gary Longden. Show all posts

Wednesday, 19 February 2014

Poetry Alight

I've been terrible at updating this blog recently, but intend to do much better, starting with last night's Poetry Alight reading at Lichfield.

In the new venue of the King's Head, the upstairs room is just about spot-on for a night of this type - large enough that you're not all piled in on top of each other, even with an excellent turn-out like last night's, but compact enough that you can hear the poets read without any trouble.

Gary Longden hosts it superbly, and I liked the format of open mic slots to begin and end the evening, as well as between the featured guests in the middle. Importantly, too, there was time to talk. Feeling part of a poetry community is a more important aspect of events like this than it's sometimes given credit for, but here we all went home having had the chance to make new friends and catch up with old ones.

I didn't make notes, so I'm afraid I haven't got the names of most of the open mic readers, but a high standard was maintained throughout, not just by the familiar faces such as Tom Wyre and Malcolm Dewhirst.

Michelle Crosbie's feature set was excellent. She read entirely from memory, and even sang her last piece acapella, and I'd like to hear more of her work, as well as to see it on paper. She used rhyme skilfully, I thought (as did many of the open mic-ers) - not something that's easy to do, and something that an audience immediately picks up on if it's not done well.

I read entirely from The Elephant Tests, and Jo Bell helped me out on Ravens, Newborough Warren, reading the second voice. It was a pleasure to read for such an appreciative audience, and there was lots of good feedback later on (plus plenty of books sold).

Jo's own set was the highlight of the evening, taking in poems from the excellent Navigation (available again now), as well as newer material. She will, I hope, have a new book coming out before too long, burt in the meantime, take any opportunity you get to hear her read. She can flit between laugh-out-loud funny and lump-in-the-throat moving in the space of a line, and that's a rare thing indeed.

Wednesday, 12 February 2014

Poetry Alight, at Lichfield

Next Tuesday (February 18th), I'm reading at Poetry Alight, in Lichfield, with the wonderful Jo Bell and Michelle Crosbie. It's a well-established and popular regular poetry night, complete with plenty of open mic slots, hosted by the excellent Gary Longden. I'm looking forward to reading in the city of Dr Johnson very much.

Just a word of warning - in case you haven't already noticed from following that link, it's at a new venue, the King's Head, 21 Bird Street, Lichfield, WS13 6PW. Hot food is available (always a bonus).

If you'd like to sign up for an open mic slot, email Lichfield.Poets@hotmail.co.uk as soon as possible, as they tend to get snapped up pretty quickly.

Wednesday, 18 July 2012

Best yet?

Monday night's Nine Arches Press/Crystal Clear Creators Shindig was as good as any reading/open mic I've been to - I'd wondered whether the ongoing deluge and the Leicester holiday fortnight might make keep people away this time, but in fact the Western was packed out.

A great bill helped, obviously. I'm not going to attempt to review the night properly, but Alan Baker, Maria Taylor and Robin Vaughan-Williams are all poets whose work I've known and enjoyed for some time now, and all three gave fine readings, as ever. You can read much more about them here and here.

Kim Moore was a new name to me, though, and closed the night with a really fine set (she was down from Barrow-in-Furness, but has family in Leicester, I think). I bought her Smith/Doorstop pamphlet - If We Could Speak Like Wolves - on the strength of it, and it more than does her justice. I loved her opening poem, The Wolf, in particular, not least because of her declaration that she reads it because she doesn't know what it means. That enquiring sense is there throughout the book.

The open mic slots seem to get better with each reading, and it was nice to see more and more West Midlands poets coming to give it a try. Gary Carr's second poem, a letter to his daughter, was a real highlight for me, Gary Longden, Deborah Tyler-Bennett and Jayne Stanton were as good as always, and Graham Norman and Maria Rooner performed the same poem in English, then German, to good effect. Considering I managed to fail O Level German three times (don't ask), I surprised myself by how much I actually followed when Maria was reading.

Talking to Alan and Robin afterwards, we were trying to work out what makes the Shindigs work so well (aside from the poets, obviously). The size and shape of the room certainly helps, as does the fact that there's always been a nice, relaxed feel at the Western - people wander in from the street or the other bar and dip in and out of the poetry, which you don't get at many places. And last but certainly not least, the laid-back, resolutely uncompetitive atmosphere cultivated by Jane and Matt of Nine Arches and Jonathan Taylor of CCC, makes all the difference.

Thursday, 25 August 2011

Behind The Arras

Just a quick note to point out that the Behind The Arras website, which covers all things theatrical, also features reviews of poetry readings and open mic nights from all over the Midlands.

Many of them are by Gary Longden, who wrote this review of last Monday's Shindig, although he's far too modest to point out that his open mic spot was one of the highlights of the evening. It's a great resource, though - browsing it you realise how many good regular events there are out there.

Tuesday, 23 August 2011

Last night's Shindig

Last night's Nine Arches Press Shindig at The Western in Leicester was the usual entertaining and thought-provoking mixture of open mic and featured readings.

After I'd managed to get through my set without dissolving into a fit of coughing (I seem to manage to catch a heavy cold a couple of days before all my readings now) Deborah Tyler-Bennett read from her new Nine Arches chapbook, Mytton...Dyer...Sweet Billy Gibson, as well as from other recent collections (including the excellent Pavilion). There's always a terrific stripped-down energy to her poems, and she always reads well too. I enjoyed her set a lot, and I've been enjoying the book this evening.

The second half, hosted by Crystal Clear Creators, featured a hugely entertaining short story from Alex Plasatis, and a set from Leicester poet Roy Marshall, who has a pamphlet forthcoming from CCC. His poems are compact and poised, packing an awful lot into very few lines. I'll look forward to seeing his collection.

In between times, in the open mic spots, Gary Longden's paean to Rebekah Brooks was great, and one of the lines from Mark Goodwin's poem remained bouncing around my head for most of today, but all the readers were of a reliably high standard. What I also find really interesting is how certain ideas and themes emerge during the course of each of these evenings, from a very disparate range of poets.

I also bought Angela France's Nine Arches chapbook Lessons In Mallemaroking, and picked up a copy of Tony Williams' extraordinary All The Rooms Of Uncle's Head for review. Lots of reading ahead - looking forward to my week off from Monday. 

Oh, and as usual, my set:

Zugunruhe
Things Left In Hotel Rooms
Coolidge
1984
Black-throated Diver, Lochindorb
Summer Breeze
Gossamer
Untitled

Wednesday, 20 July 2011

In the footsteps of Drayton


Last night I dashed down the M42 to read at The Fizz 8, at Polesworth Abbey Refectory, in North Warwickshire.

As I noted in the preview pieces about the event, it was a particular thrill to be reading in Michael Drayton's hometown. In fact, both Drayton and John Donne are thought to have read in front of the same fireplace (pictured above) that's now part of the Refectory, and Shakespeare is rumoured to have spent time as a page at nearby Polesworth Hall. The chair that's pictured, by the way, isn't an Elizabethan torture instrument - it was built by one of last night's poets for use while he's playing the guitar.

In keeping with the setting, I tied to give my set a bit of a historical slant, and all went very well (except for a coughing fit in the middle of Troy Town - fortunately it's short enough to start again). There were excellent and varied open mic readers, including Barry Patterson (pictured) and Gary Longden - nice to catch up with both of them again - and Mal Dewhirst, the driving force behind Fizz and Polesworth's poetry trails.



My set (divided in two by the interval) was:

Prelude for Glass Harmonica
The sea at Ashby-de-la-Zouch
Drinking With Godberd
Chirimoya
Dreams From The Anchor Church
Leland's New Year Gift To The King, 1546
The Meeting Place
In St Martin's Square
West Leicester Lullaby

Fantasia for Glass Harmonica
The American version
Exposures
Worst Case Scenario
Troy Town
Happiness
Cahoots
Nocturne for Glass Harmonica

If you're ever in the area, Polesworth's well worth a look. As well as the Abbey Church and its 14th century gatehouse (below), there's the Polesworth Poets Trail I mentioned. Also, despite the fact that you're a stone's throw from the motorway, Tamworth, and the great sprawl of Birmingham beyond it, there's a lot of remarkably unspoiled countryside within walking distance.