Last Thursday's Vanguard Readings event, at The Bear, Camberwell, was a lot of fun. Six readers, of which I was one, a lively and very responsive audience, and a great venue.
It was great to hear Josephine Corcoran read. She's been such a tireless promoter of other's work that her own poetry has sometimes been overshadowed, and very unfairly so. I enjoyed her honeymoon poem in particular, but her whole set promised good things from her forthcoming Tall Lighthouse pamphlet.
I'd never heard Josephine Dickinson before, but I have read plenty of her very fine work, and it was given a whole new dimension by her reading here. She's one of those poets who manages to create an enviable stillness and silence around her words - there's a tension there that always feels as though it's on the point of breaking.
Michael Symmons Roberts read beautifully, mainly from his most recent collection, Drysalter, and it's hard to add anything useful to the praise that it, and he, have already received. His poems are always spiritually charged, yet intimate and approachable too.
Cristina Newton read just two long poems, and held everybody spellbound with the sustained music of her work - I look forward to reading and hearing more from her.
Finally, Richard Skinner, whose hard work makes Vanguard happen in the first place, read the work of three absent poets who appear in the Vanguard anthology - it's not on general sale but you will be able to buy it at future readings, and I recommend it very highly.
My own reading went well, and it was good to read a couple of poems, including Butterflies from the afore-mentioned anthology, that haven't had an airing for a while.
Showing posts with label Michael Symmons Roberts. Show all posts
Showing posts with label Michael Symmons Roberts. Show all posts
Tuesday, 25 November 2014
Wednesday, 19 November 2014
Vanguard Readings, 20.11.14
Just a quick reminder that tomorrow, Thursday, November 20th, I'll be reading as part of Vanguard Readings' all-poetry night, at The Bear, 296a Camberwell New Road, London SE5 0RP, along with Josephine Corcoran, Josephine Dickinson, Cristina Newton, Richard Skinner and Michael Symmons Roberts.
If you're anywhere in the area, come along - as well as the poetry, there's good beer and food available, and entry is free.
Friday, 14 November 2014
Vanguard reading series
Next Thursday, November 20th, I'll be reading as part of Vanguard Readings' all-poetry night, at The Bear, 296a Camberwell New Road, London SE5 0RP, along with Josephine Corcoran, Josephine Dickinson, Cristina Newton, Richard Skinner and Michael Symmons Roberts.
It's a terrific venue, and a great line-up - I'm flattered to be part of it. The poetry starts at 7.30pm, and entry is free.
It's a terrific venue, and a great line-up - I'm flattered to be part of it. The poetry starts at 7.30pm, and entry is free.
Wednesday, 15 January 2014
On the money
Northern Irish poet Sinead Morrissey won the TS Eliot Prize on Monday night, for her collection Parallax. I must say I'd thought Michael Symmons Roberts the likely winner, so this came as something of a surprise, but it's a pleasant one.
I haven't read the book, but I've encountered quite a lot of Morrissey's poetry in the past and have enjoyed it. It's hard to make a real judgement on what should have won, as of the 10 contenders, I've only read three so far (Michael Symmons Roberts, Dannie Abse and Helen Mort). I think either of those last two would have been a worthy winner, although I suspect it might have been seen as a sort of lifetime achievement award if it had gone to Abse.
But anyway, congratulations to Sinead Morrissey - I'll look forward to reading Parallax.
Monday, 30 May 2011
Constructed Landscapes
Last Thursday, I took part in a workshop led by Mark Goodwin at the Phoenix in Leicester, which took the work of artist Helen Saunders as its starting point.
It was a great couple of hours, very inspiring, and I'm going to go back for another look at Helen's work, as the exhibition has been extended until a week on Friday (June 10th). Quite the best thing, I think, was that Helen herself took part, and talked quite a bit about her processes and techniques.
I'm going to come back to that, and its relevance to poetry (incidentally, I might be wrong, but I think Helen's responsible for the cover of Paul Farley and Michael Symmons Roberts' Edgelands), in more depth a bit later, but in the meantime, I can recommend the exhibition very highly.
It was a great couple of hours, very inspiring, and I'm going to go back for another look at Helen's work, as the exhibition has been extended until a week on Friday (June 10th). Quite the best thing, I think, was that Helen herself took part, and talked quite a bit about her processes and techniques.
I'm going to come back to that, and its relevance to poetry (incidentally, I might be wrong, but I think Helen's responsible for the cover of Paul Farley and Michael Symmons Roberts' Edgelands), in more depth a bit later, but in the meantime, I can recommend the exhibition very highly.
Labels:
Art,
Helen Saunders,
Mark Goodwin,
Michael Symmons Roberts,
Paul Farley,
Poetry
Monday, 13 October 2008
Weekend reading
I enjoyed this review of Michael Symmons Roberts' new book, The Half-healed, in The Guardian on Saturday. Roberts is a poet I've not really read enough of, but I really ought to catch up some time soon.
I spent most of the weekend reading in the ridiculously summery weather (someone on the radio this morning said that we'd had the sort of day yesterday "that poets mean when they talk about autumn"), and writing one or two reviews. I even attempted to write some poetry.
I spent most of the weekend reading in the ridiculously summery weather (someone on the radio this morning said that we'd had the sort of day yesterday "that poets mean when they talk about autumn"), and writing one or two reviews. I even attempted to write some poetry.
Subscribe to:
Posts (Atom)