Also in the Guardian review was this article on Jonathan Richman, or more specifically the first Modern Lovers album, a long-time favourite of mine.
I'm not entirely sure I get all the points being made about the relationship between Boston and New York (and the rest of the USA) in the feature, but it's an interesting read anyway.
Richman's later albums tend to divide opinion pretty starkly, although I'd argue that there are plenty of little gems on them too*, among all the nursery rhyme soundalikes, not least on the splendid Jonathan Goes Country**.
But whatever, The Modern Lovers is a bona fide classic, fully justifying its reputation as a missing link between the Velvet Underground and punk.
* That Summer Feeling - I rest my case.
** Since She Started To Ride is great, but it's all excellent.